The show featuring this newly acquired installation marks the first institutional solo exhibition in Germany of Berlin-based artists Stephanie Comilang and Simon Speiser. As a form of artificial intelligence, Piña is able to receive and collect inherited knowledge, messages, and dreams from people around the world in order to secure their survival. The centerpiece of the exhibition is a video/virtual-reality installation (2021) of the same title, a speculative documentary that narrates the story of a spiritual medium known as Piña. Piña, Why is the Sky Blue? is an affirming techno-feminist vision of a future in which ancestral knowledge and new technologies converge.
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The show seeks to express a sense of art’s utopian horizon-a generative space of desire, experimentation, and queer relationality aligned with what he described as “ecstatic time.” Featuring twenty-five works that range from early performance videos by Joan Jonas to the allegorical and animated worlds of Jacolby Satterwhite, the exhibition insists on the possibility of “something else, something better, something dawning.” The group exhibition at dawn draws connections between techniques of image production and the social and political work that goes into imagining alternatives to what the late Cuban American thinker José Esteban Muñoz called our “poisonous and insolvent” present. On 27 April, 4–10 pm, you will have the opportunity to see the new group exhibition at dawn as well as Piña, Why is the Sky Blue? byStephanie Comilang and Simon Speiser. We are pleased to celebrate with you the opening of our exhibitions at JSC Berlin. For example, what influence do transnational collector networks have on art market developments, artist biographies and the programmes of public institutions? Where do private institutions complement public offerings, expand the cultural infrastructure and enable social participation? What opportunities and responsibilities arise from these considerations for the future? The conference will examine these and other questions from different perspectives and explore possibilities for creative cooperation and future-oriented synergies. In addition to a review of the historical development of private collecting, the conference will present recent research results on the current significance of private art funding. The conference combines academic lectures with contributions from international collectors and donors who will discuss their various institutional and funding models. Based on the four regional institutions in the Rhineland Independent network (Julia Stoschek Foundation, KAI 10 | Arthena Foundation, Langen Foundation, Philara Collection) and in cooperation with the Master‘s programmein Art Mediation and Cultural Management at Heinrich Heine University Düsseldorf, we will examine the potentials, societal expectations and social responsibilities of private collecting and exhibition practice on the 20th and 21st May 2022 at the Philara Collection.
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What does socially relevant art patronage look like in the 21st century? Internationally and throughout Germany, there is a growing number of privately supported exhibition houses and collections. Video games are to the twenty-first century what movies were to the twentieth century and novels to the nineteenth century.” Many people spend hours every day in a parallel world and live a multitude of different lives. In the words of the curator Hans Ulrich Obrist: “In 2021 2.8 billion people-almost a third of the world’s population-played video games, making a niche pastime into the biggest mass phenomenon of our time.
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WORLDBUILDING examines the relationship between gaming and time-based media art with a journey through various ways in which artists have interacted with video games and made them into an art form. Stephan Keller, Lord Mayor of the State Capital Düsseldorf, and speeches by Hans Ulrich Obrist and Julia Stoschek at JSC Düsseldorf.Ģ022 marks fifteen years since the opening to the public of the first exhibition space of the JULIA STOSCHEK COLLECTION in Düsseldorf, which was followed by the opening of the Berlin space in 2016.Īs one of the world’s most comprehensive private collections with a focus on time-based art, the JULIA STOSCHEK COLLECTION has organized more than forty exhibitions as well as additional activities and international collaborative projects devoted to the public presentation, conservation, and research of artworks from the 1960s to the present. The exhibition will open on 4 June at noon with a welcoming speech by Dr. We are pleased to celebrate with you the fifteenth anniversary of the JULIA STOSCHEK COLLECTION with the group exhibition WORLDBUILDING: Gaming and Art in the Digital Age, curated by Hans Ulrich Obrist. OPENING WITH SUMMER PARTY AND MUSIC BY ALBERT SHWARTZ